This time I was working on smaller objects/products and therefore I was able to use a table for this setup. It is worth-mentioning the table as it played an important role in the setup of the lights. The main light remained at the same position and the second light was placed under the table facing the wall (background). The table was not fully pushed back to the wall but instead a gap was left out. This gap was intentional as the light below the table that was aimed to the wall that will create that almost perfect white seamless background as you will see in the images below.
I was able to work fast with this setup than my previous setup when I used continuous CFL lights. There was minimal post-processing done with these images not like when I used the continuous CFL lights as the exposure was purely dependent on the ambient light.
The off-camera flashes were a big help. It's my first step in making my work a lot easier.